A literary month
Two connected, but disparate, sections to this blog post describing my literary month. The first a completed task and introduction to a new role as Editor of The Stephenson Locomotive Society Journal; the second related to local theatre productions.
Stella, my wife, stage managed Me and My Girl so a lot of work in the household went into that both in the months leading up to the show and in show week itself. To add to that drama connection the local Royal Manor Theatre here on Portland recently ran a production of Old actors never Die and as a consequence we got that title at Weymouth Writing Matters as one of our a prompts. Given it will soon be time to assist as a volunteer with the Weymouth Pavilion Panto prep’ time it seemed appropriate to also add my own small tribute to the thespian’s craft below.
A teaching day
The other generator of workload was an invitation to give a talk on the history of railways to a group of Polish exchange students staying over at Clevedon in Somerset. The students had come over to the UK to get experience of a range of topics and issues prior to selecting a career: one of those careers being the option of working on the railway back in Poland, hence this talk. Initially envisioning the usual hour to an hour and half of talking (as for a local club/society evening) it eventually turned out to be a four hour, full day. My recent BACOM experience and training at Bournemouth in presentation skills certainly came to the fore; it went well. A day’s teaching, a first for me, and an experience I found surprisingly satisfying.
Since coming back from summer holiday life has been hectic with book editing for The Stephenson Locomotive Society. A deep end start to the role I’ve also just taken on of Editor for the bi-monthly Journal; first edition will be January/February. But back to the books – launching at the Warley Model Railway Show at the NEC on 25/26 November the first two volumes of material from the SLS Archives.
- Narrow Gauge & Miniature (From The Stephenson Locomotive Society Archives Vol 1)
- Eclectic Electrics (From The Stephenson Locomotive Society Archives Vol 2)
On launch weekend they will be available on our stand (Hall 5, Stand D44) at £9.50 each (£7.50 to Society members). Postal sales will be available post-Show once the P&P situation is finalised. (When available generally it will be announced on my Twitter and Facebook feeds, the SLS Twitter feed and the SLS Publications page)
Old actors never die
They say old actors never die; like the ancient pagan gods they remain alive as long as they are adored, worshiped, remembered. Their old posters and fading photographs line the walls of musty corridors and theatre bars, slowly fading as the plays they starred in pass from living memory.
The ephemera of a craft, the passing of time, each show a snapshot, unlike cinema, where time remains frozen. The youthful face of the craggy old star shambling from Hollywood café to occasional TV studio appearance, their old movies endlessly repeating on obscure channels; a cruel reminder of past glories. The long legs dancing the kick line, the piercing smile of the male lead, forever captured, reality the decline, the baton passed to the new replacement.
Times change, tastes change, the star of yesterday’s western unnoticed in Wallmart, the silent queens of the silver screen, glorious in mono, passed over in colour. No more repeats of the Keystone Cops to entertain the kids at the Saturday flicks: 633 Squadron flies to face the deadly Hun no longer, the Eagles Dared but the Empire Struck back.
The house lights dim, the curtain rises, the new crop take the stage; from the wings the old look on, coaching, training, remembering. The words they spoke last the ages; for some their memory will be immortal, names spoken in reverent tones, their routines rehashed and recast, even perhaps immortalised as a new sweet desert, fruity, tangy, was Dame Nellie like that in life?
As they say in showbiz, another opening of another show. As the door closes for one for another it opens. For some, the very best, it will stay revolving, but sadly, for most, like a child’s spinning top the hum and buzz will gently fade away.
Copyright on all the above remains with the author – not released into the public domain.